The biggest running joke is all of rock music, of course, has become the imminent release of the next Guns N’ Roses album, Chinese Democracy which is due to come out, either any day now or never. Even Syd Barrett was able to make a couple of solo albums after he went crazy, Axl.

However, Neil Young fans know that the wait for Chinese Democracy is nothing compared for how we’ve been waiting for Archives, the career-spanning box set that he’s been promising since — shit — Guns N’ Roses was just becoming the biggest band on the planet. We’ve been waiting for so long that his length of time that Archives can cover has actually doubled.

While some performance CDs have been released (the awesome Live at the Fillmore East and the not quite as awesome Live at Massey Hall, the bulk of the material assumed to be on Archives has only been available on bootlegs. Well, yesterday, Neil has made his latest announcement concerning Archives. The first 10 discs are coming out this fall. Whoo-hoo! On Blu-Ray. D’oh!

So despite the fact that I’ve been looking forward to this for nearly 20 years, right now I’m kinda disappointed.

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In case you haven’t seen it, the next Rolling Stone magazine has the girls from MTV’s The Hills on the cover.

Really? The girls from The Hills? That’s the best Rolling Stone could do this week? Wow. Really?

Look, I realize that criticizing Rolling Stone for abandoning their original music-oriented mission by putting actors, models and other non-musicians on the cover started in earnest over twenty years ago, when Jann Wenner started putting his Hollywood buddies on the cover, so this isn’t about that.

I don’t really have an issue with their long-ago morphing into a general pop-culture magazine. After all, had they stuck to just covering music, we wouldn’t have had Hunter Thompson or Tom Wolfe or PJ O’Rourke or Matt Taibbi, just to name a few non-music writers that they’ve featured over the years.

Nor do I have an issue with them trying to stay relevant for what is now the third generation of kids they’re trying to deal with. New generations have new popular culture icons, I get that. Maybe these girls are the Kurt Cobain or Johnny Depp of the Millennial Generation.

Maybe. So why does this week’s cover feel like a new low?

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How I Met Your Mother is one of the three funniest shows on TV right now, along with The Office and 30 Rock. However, because it’s on the normally sucky CBS, it gets very little love and very little attention, except when they do things like stuntcast Britney Spears.

Sigh. They don’t need Britney, not when they have great comic actors like Neil Patrick Harris,Cobie Smulders, Josh Radnor, Alyson Hannigan and the absolutely awesome Jason Segel.

For the uninitiated, the framing device of the show is simple: in the year 2030 (still no flying cars, sadly), this guy Ted is telling his kids the story of how he met their Mother. That’s it: nearly every episode starts with a shot of highly uninterested teenage kids staring in the camera while a voiceover starts the week’s episode with a “Kids, let me tell you …), before flashing back to the present with that week’s part of the story of how he met their Mother.

Seems simple enough, but within that framing device lurks misdirections, fast-forwards, flashbacks, Rashomon-like POV changes, and, so far, no concrete idea of who The Mother actually is. And oh yeah, lots and lots and lots of great jokes.

At its best, it is, in a word, awe–

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Kassia is fond of saying that around ‘Loper HQ, April Fools isn’t a day, it’s a season. However, this year, real life has gotten in the way, so in honor of that, I’ve decided to point out a few actual real things that are far more absurd than most of the jokes you’ll see today.

Let’s begin, shall we.

• Continuing Record Company Cluelessness About the 21st Century
  Last week, there was an article in Entertainment Weekly about the rush-release of the new Gnarls Barkley album. Apparently, the fact that it leaked online a few weeks early caught Atlantic records by surprise.

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Longtime readers of this site (that would be Will and John) know that there are consumer products to which we’ve never been very kind. These products include Microsoft’s Zune, anything from DuroSport Electronics and of course SpiralFrog, the major label-sponsored website that allows you to download DRM’d music for FREE! All you have to do is ignore some ads.

After first making fun of the concept, then making fun of the amazingly long time to market, and finally, making fun of the thing itself, I figured that I was done with ever writing about it ever again. Hell, I thought I was done with ever thinking about it again.

Until last night.

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quarterlife, the much-hyped new series from the creators of such shows as thirtysomething, Once and Again and the eternal My So-Called Life, debuted a couple of nights ago to what some are calling “the worst ratings in 20 years.”

I don’t think that this was what NBC had in mind when they announced that they had picked it up from, er, MySpace amidst a busload of hype. Given the fact that it had a pretty high profile and was debuted during a time where there is very little serious drama being broadcast, their expectations must have been that it would at least hold its own.

And yet it failed, miserably. Why? The flip answer is that it sucked, but that’s only part of it. The full answer is a bit more complicated.

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All of the pundits are pretty much saying that it looks like curtains for the Presidential Campaign of Mike Huckabee, the bass-playing, Bible-quoting Stephen Colbert-homeboy who is wayyyy behind John McCain in the delegate count.

So it pretty much seems to be a weird time to get insult added to injury, but that insult is coming in the form of Tom Scholz, an Obama supporter (like me!) who wrote the classic Boston song that Huckabee has been using on his campaign trail: “More Than A Feeling.” Scholz is pissed, and he wants it to stop.

To me, this is like that time Elvis sent the widely quoted “open email” to Bill Clinton after Clinton played “Heartbreak Hotel” on Arsenio Hall which ended with “didn’t you see me shaking hands with Nixon, stop playing my song.”

This, of course, is the place for the obligatory “Tom Scholz is still alive?” joke, but instead I’m going to do something perhaps even funnier: defend Mike Huckabee.

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Sure, I could be like the rest of the blogosphere and comment upon Microsoft’s attempted slurping up of Yahoo! If it goes through, it no doubt has ramifications for every single man, woman and child with a computer that accesses the internets.

But that’s not important right now. What is important is that NASA has decided — for the first time ever — to beam a song into space.

And even more important: they’ve chosen the wrong song. Whatever will the aliens think?

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As you obviously know, the Writers Strike started this week. And it looks like it’s going to be a long, hard slog that may not be resolved for months — maybe not even until the Actors and Directors contracts are up next June. That’s a long time, and while there are any number of articles discussing the anticipated consequences of the strike, what about the unanticipated consequences?

By definition, of course, those are impossible to predict. Which is why I’m going to predict them. So, without any further ado, here are six unanticipated consequences of the writers strike.

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It’s what we’ve been waiting for: a major band with an anticipated album to step up and completely bypass the entire major label mechanism and self-release their next record.

And that’s not even the best part: the best part is if you want it as a purely digital release, you can pay whatever you want for it.

In a sense, Radiohead is playing for tips.

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