Longtime readers of this site (that would be Will and John) know that there are consumer products to which we’ve never been very kind. These products include Microsoft’s Zune, anything from DuroSport Electronics and of course SpiralFrog, the major label-sponsored website that allows you to download DRM’d music for FREE! All you have to do is ignore some ads.

After first making fun of the concept, then making fun of the amazingly long time to market, and finally, making fun of the thing itself, I figured that I was done with ever writing about it ever again. Hell, I thought I was done with ever thinking about it again.

Until last night.

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I’ve just finished a big project: I recently bought a 1TB network-attached hard drive and put nearly every single song I own on it. I even finally finished ripping all of my CDs.

I set the hard drive up so that it automatically backs itself up, and so it’s the third thing I grab in case of a fire: Rox, my laptop, and that hard drive. Of course, maybe Rox can grab both laptops while I get the hard drive, but I’m guessing she might have other priorities.

In any event, the current count is approximately 68,000 songs on 4700 albums by 950 artists. This crazy-ass number reflects 30 years of being, well, a big dumb rock ‘n’ roll guy. It’s what I do, it’s who I am.

And between eMusic, iTunes, Amazon, Amoeba and the life-long friends whom I’ve been trading music for two decades, I have a pretty steady pipeline of new stuff that I’m looking forward to, older stuff that is reissued, new stuff that is suddenly huge super buzz, and older stuff that I missed in the past.

It. Just. Keeps. Coming. World without end, amen.

Stop yer complaining, you’re saying: this is not the worst problem for a music geek to have. As a matter of fact, it’s probably the best problem for a music geek to have. So shut up and stop whinging, already!

No doubt, my 15-year-old self who rode his bike to Tower Records to buy Who’s next, my 25-year-old self who was resigning himself to getting the CD version of Who’s next and my 35-year-old self who was downloading Who’s next outtakes from dodgy websites are all looking at me agog.

But it’s still a problem. And the problem is me.

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Back in June, I read a review of the new Ash album “Twilight of the Innocents” on the Guardian Unlimited website where it was mentioned that the band, a personal favorite, was about to end its recording career. Their traditional recording career that is. From this point forward the band members would be “dedicating ourselves wholly to the art of the single for the digital age.” For this I applaud them as, presumably, one won’t have to buy expensive imports and will just be able to download new Ash songs from the website or an online retailer like iTunes.

For those not familiar with Ash, you may remember the wonderful single “A Life Less Ordinary,” from a terrible movie of the same name. Always a bit of an indie underdog, Ash’s last album, a pop-rock meisterwerk called “Meltdown,” went virtually unnoticed in this country. I thought then that something might give, like a breakup or a total sell out. Instead, they’ve taken matters into their own hands. With the latest album not even released in this country, the internet could be the band’s savior, as long as there are no international or crazy DRM restrictions involved. I wish them luck in their future. But what I really like is this newfound artistic freedom that bands like Ash are planning, and how it is actually starting to take shape with other bands.
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The headlines scream: “Universal Music Takes on iTunes,” and all I can think is “what, again?” Don’t they do that, like, every other week?

This time, I am told, it will be different. This time, Universal Music Chief Doug Morris is talking about launching a subscription model — reportedly called “Total Music” — that will essentially be FREE to the consumers. Which doesn’t at all sound like a combination of Napster 2.0 and Spiral Frog. Nope.

I will admit, there is what seems to be a twist:

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This week the long anticipated Amazon digital music store finally launched. Unlike recent efforts from the likes of Wal-Mart, Amazon’s DRM-free store could pose a substantial long-term challenge to iTunes. While that may sound like bad news for iTunes, it could prove to be a good thing for Apple.

Here’s why I think Amazon will pose a serious challenge to the iTunes music store:

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It’s pretty much Apple week here at Medialoper, and why not? So I figured that I’d add my perspective on the new iPods, as well as the Universal’s wholesale abandonment of iTunes for Amazon’s Unbox.

Everybody I know seemed to be keeping at one browser tab open on the press conference yesterday, and until the drastic price drop of the iPhone, it pretty much went the way that most people had predicted beforehand. Without going into any deep analysis of What It All Means, here are some of my thoughts.

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Will all due apologies to the Fresh Prince, networks executives just don’t understand. Or, rather, NBC executive just don’t understand. This past week, we learned that negotiations between Apple and NBC broke down because NBC wants to charge $5.00 an episode for television shows sold via iTunes while Apple, understandably, wants to charge less.

Rather than lure consumers in with a partial-season offering of NBC programming, Apple will not sell any NBC shows this fall (the deal was set to end in December anyway). First, a little bit of math. Assuming a 24-episode season, regular viewers will be paying approximately $50 for the season at $1.99; NBC wants those viewers to pay in the neighborhood of $120 for that same programming. You know, that’s a lot of money, especially considering that the cost of production is largely subsidized by commercial advertisers during the first broadcast run.
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One of the biggest pieces of news about digital music last week was that Universal Music was going to deign to sell their music without DRM. This is, of course, a good thing for consumers, especially in a week where Google Video’s wholesale abandonment of their service showed just how fracked-up DRM schemes actually are.

The other big news in Universal’s announcement is, of course, that they aren’t going through iTunes to sell the DRM-free music, despite the reported success of EMI’s non-DRM’d tunes. This is widely seen as the latest dick-wave in an ongoing pissing contest between Universal and Ap–

Quick, name three Universal Music artists!!

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My iPhone crashed yesterday. Just before lunch, I woke it up, but the unlock slider was acting all funky. When it finally unlocked, my phone was frozen. Dead. Solid.

There have been a couple of times before where it has acted weird — the most major one being Safari spontaneously shutting down and returning the phone to the home screen. In those cases, and in this case, I’ve done what we’ve done to computers since time immemorial: I reset it.

And that’s when I got The Yellow Triangle Of Death.

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It’s no secret that our favorite music download service at ‘Loper HQ isn’t iTunes, but eMusic. Kirk discussed his reasons last year, and mine are pretty much the same: the wide variety of music, the great pricing, and the fact that I can do whatever I want with the music I’ve downloaded. No damn dirty DRM.

I’m not going to address the breadth and depth of the music itself, but rather the user experience. And to do that, I should very quickly explain how I use eMusic. It’s pretty simple actually: I pay $14.99 per month for 65 downloads (it’s a legacy plan), and every week, I login, go through the new music for that week, and save the things in which I’m interested in my “Saved For Later” page.

That way I don’t use up my downloads at the beginning of the month, and have to wait because something as awesome as The Hold Steady Live At Lollapalooza comes out the day after I used them up. (Of course, I could get a booster pack if that happens, but that’s not maximizing my music dollar.)

After doing it this way for the past couple of years, I’ve noticed some ways that eMusic could improve its user experience. Five ways, as it turns out, and here they are:

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